It's been a while since I've written a full, proper blog post. I mean, a long, long time. And I haven't kept to my daily schedule since March, when a combination of London and theatre gave me too much else to focus on. Combine that with the worries about getting into the course I applied for - and thank God I actually got into it, and will begin in September - and I shut down slightly.
Lately, though - as in the past few days - I've been planning a come back. I've been planning to go into overdrive. Next month, I'm planning to do a lot online. Let's just break it down a bit. Every day in July, I want to:
- Post a blog post here
- Post a poem or story on Paragraverse
- Upload a video blog on my YouTube channel
This, and here's the catch, is while I'm writing a book for Camp NaNoWriMo. A book I haven't finished planning. So that'll be fun.
The way it's going to break down is that the blog posts will be written in advance, more or less. I've already scheduled the first three at the writing of this. They're short, and form a sort of running interview with my myself. Minus the questions. I'm insane, but I'm not ask myself questions for a month insane.
The poems are going to be either (a) something that came to me in a moment of pure inspiration or (b) based off something I found in my research for my Camp NaNoWriMo novel. The stories, which will appear every Friday on ParagraVerse, are re-posts of the original Modern Irish Myth flash stories. I made the decision recently to remove that site completely, when it became apparent that I was neither posting new material to the site, or sending anyone to it.
The video blogs are going to be my attempt to capture the month of writing on camera. Largely they'll focus on the novel, and how my progress is going. I imagine it's going to be a very stressful, very busy month, and it's all down to one other, as-yet-unmentioned thing: I'm starting a newsletter, and I want to encourage people to sign up to it. I still need to work out the kinks before I even share a sign-up page (or, you know, even begin the newsletter process of it - I have one thing sorted out, but after that... let's just say I have a lot to do.)
Starting the newsletter also requires me to re-start my Sunday articles. So I have to write them every week. And this is the kicker - while making sure I have a new poem, blog post and video going up on a daily basis, while directing people to my sign up sheet and while posting my Sunday articles - I'm setting a target of 75,000 words for my Camp NaNoWriMo challenge.
And did I mention I haven't finished planning it yet?
This is the month that might kill me, and I honestly can't wait to see how I do. I have my head in the game. I love the idea for the book. I know what I want to do with this book when it's done. I know that I can write 2,500 words per day on average. (Case in point: Balor Reborn.)
I know I'll be exhausted. I know I'll have to put in a lot of hours. I know it'll mean not watching television boxsets, or sitting down to rewatch movies for no reason. I know it'll mean not aimlessly walking around the city centre just to get out of the house. I know it'll mean not playing Skyrim for the tenth time and getting nowhere in it.
I know all of that, and I still want to do this. I want to write this book, and I want to share these blog posts, and the videos, and the poems. I'm all about the big challenges to myself. They're how I figure out my strengths and weaknesses, and that's how I grow as a person.
This Tuesday, it all begins.
Thursday, June 26, 2014
Wednesday, May 21, 2014
Video Catch-Up
I had good intentions of returning to my writing schedule - which is all but scrapped at the moment - but I've made a video to help explain why I've been gone. My last video was in February, so it really has been a long time since I was on YouTube.
Anyway, this video has news, poor sound quality, very little inhalation, and an attempt to fit in several months' worth of life into four minutes.
Saturday, March 29, 2014
Explaining the Absence
I've been absent from the Internet, by and large, for over a week now. The explanation is simple in some ways: I needed a break, and then I went on one. I was tired, to put it simply. Tired, busy, and trying to manage too many projects. The reason it's taken this long to say it is because of the second part of the explanation: I went on a break, and this made me even more tired. But it was worth it.
See, I went to London. It was my first time in Britain, and so my first time doing many of the things that can only be done in Britain. I plan on writing a few posts about my London experience, but this post is simply to say that I'm back in action...ish. I've put together a plan to catch up on my schedule, but I have to see how life affects it. It's easy to say, now, that I'll be posting every day again, but that's not always how things turn out.
My plans for the next month or so are simple: write as much as possible. Once the work on the play is done, I'll have a couple more evenings to myself per week, too, which should make a difference on the writing front. Don't get me wrong, I enjoy Drama. It's the travel that I don't like. I don't get to do much on journey, but it's a long enough journey to make. There's about an equal amount of time walking as there is spent on the bus, and often I'm left waiting, and that's time wasted.
Aside from the writing, I have a couple of things I want to do. These include a Zom-B marathon, catching up on The Walking Dead, and reading through my collection of graphic novels. It's the simple things, really. I do also have Game of Thrones coming back, soon, so that's something. Otherwise, though, I'm just going to keep things calm, and let myself have a bit of fun for a while.
It's one of the things I realised while in London: I need to do more things that I enjoy that aren't writing. I need to get out more, and do more, and if money allows, travel more. I've already set my heart upon going to Edinburgh this year if the events at the festival are to my liking, so that's something. And, of course, I'll be returning to London. I have to. As you'll see over the next few blog posts, there's an awful lot of ways one can fill one's time when in London, and it's still possible to have so much left to do.
Time always seems to be the problem, eh?
Monday, March 17, 2014
What I'm Working On Now
This week, a blog post was handed to me on a silver platter in a tweet, to participate in a blog hop/blog tour. The wonderful Ken Armstrong, of the Mayo variety, was in touch to find writers to follow up from his post.
I met Ken back in the days when Bebo was the exciting place to be. They had launched two new features: groups, and Bebo Authors. Ken joined the group, after I plugged it on his writing page. It wasn't until I joined Twitter that we really started talking. His blog has been a joy to follow, and it was my utmost pleasure to take the baton from him to continue on The Blogging Tour.
The gist is that at each stop, we point you in the direction of another three writers, in the hopes that they too will write a post on what they're working on now. You should check out their blogs, now, to get to know them before they put up their posts next Monday. (They might not, but hey: awesome writers!)
B.jpg)
Darke Conteur is a writer at the mercy of her Muse. Author of stories in several genres, she prefers to create within the realms of the three 'S'; Science Fiction, the Supernatural, and Steampunk. Some with erotic elements. She has stories published in several online magazines including Bewildering Stories and Aphelion.
A gamer at heart, she also enjoys knitting, gardening, cooking and good music. When not busy writing, she looks after one husband, one wannabe rock star, three cats, and one ghost dog.
Check her out at: http://darkeconteur.wordpress.com/
I also contacted a couple of wonderful Irish writers, Ruth Long and Alison Wells, to post. If they're still up for, or you want to find out more about them, just click their names.
Incidentally, all three of the writers I contacted have books available, across different genres and on different formats. There's something for almost everyone! Now, onto to the questions that are begging to be answered!
1) What am I working on? At the moment, though it's in the early stages of writing, I'm working on a book called The Shadows of London. It's the first in a series about a few individuals in the London area who grew up with what could be described as superpowers. They're not heroes. They don't see themselves as special. As it is, the protagonist of The Shadows of London is a petty thief.
I'm also working on a couple of books on writing, but progress on them slowed down when I found something new and shiny from my childhood. (Okay, yes, I'll admit it: it's a game. I've been bitten by the procrastination bug.)
2) How does my work differ from others of its genre? I've been following the superhero genre for some time now. When I was younger, I was obsessed with the X-Men comic of the 90s. This then led to me watching Spiderman, The Justice League, Static Shock, and all manner of Batman cartoons. As I grew older, new heroes joined the mix. Several television shows featuring superheroes - or people with superpowers - were aired and cancelled, and I seemed to fall in love with each of them. Recently, superheroes are making a comeback on the big screen.
With the exception of Misfits, though, most of the stories I became familiar with didn't push the boundaries of morality, and didn't seem to focus on what might otherwise be considered a normal life. It's the normality of what I'm writing that I think sets it apart. My characters are struggling through life, the same as anyone their ages might. Collectively, they'll experience homelessness, depression, mental illness, unemployment, criminal activity, physical illness, grief, and suicide. The fact that they have superpowers are merely the other side of their stories.
The powers provide a reason for them to find each other, and a means for them to deal with their situations, the same as an author would write, or an athletic would exercise, or an artist would paint. These are their skills, their abilities, and they're as natural to them as writing is to me. They're just less common abilities than most people have.
3) Why do I write what I do? Aside from my obsession with superheroes, I've wanted to write about normal experiences that many people shy away from. I wrote a play about depression, suicide and mental illness for the sole purpose of getting people to pay attention to the existence of those conditions and actions. I want to get people to think about the difficulties others might face.
Not everything I write will have superheroes in it, but this is the constant I want to maintain for my more recent ideas. I want to tell stories about experiences that are very real, and remain taboo. Addressing the New Adult market, I want to get people my age - people who are at the beginnings of their careers as doctors and teachers, bankers and lawyers, builders and store managers - to look at the world differently. We're blessed with advancements in technology. Many of us are fortunate enough to come from relatively stable backgrounds.
Someone has to talk about these issues, because it's too easy to ignore them until it's too late. I'm not going to pretend I write simply for the joy of words. Obviously, I do love writing. But it's people that make me want to write what I do.
4) How does my writing process work? This varies from book to book, and from week to week. It all depends on how many days I work per week. In an ideal week, if I'm starting a book fresh, it looks like this:
- Plan the book.
- Write the book, either exclusively (without even stopping to play Tales of Symphonia), or spread out over a couple of weeks.
- Edit the book.
Okay, that's simplifying it a bit. The writing process is more complex than that, usually. I follow my plan strictly, but that doesn't stop me going onto Twitter or Facebook. So, really, I write on-and-off for a few hours, sometimes with some successful marathons.
Often, I'll "warm up" with a haiku or two beforehand, or I'll put on music and just focus on the word document for a couple of hours. That's how I wrote Balor Reborn, and that's how I tend to write most of my books. More recently, I'm writing while my niece is asleep (when I'm minding her, obviously), which gives me about two hours to complete something. That could be a chapter, or it could be a blog post, or a combination of the two. On a good week, I'll get my posts for the week scheduled across various sites by lunch time on Wednesday, and then focus on other projects after that for the rest of the week.
***
Anyway, you're probably tired of me talking about myself for this post. If you've gotten this far, thank you. If you're new here, welcome. And if you're Ken, thank you for passing the baton on to me. I look forward to seeing what Darke, Ruth and Alison have to say next week.
I met Ken back in the days when Bebo was the exciting place to be. They had launched two new features: groups, and Bebo Authors. Ken joined the group, after I plugged it on his writing page. It wasn't until I joined Twitter that we really started talking. His blog has been a joy to follow, and it was my utmost pleasure to take the baton from him to continue on The Blogging Tour.
The gist is that at each stop, we point you in the direction of another three writers, in the hopes that they too will write a post on what they're working on now. You should check out their blogs, now, to get to know them before they put up their posts next Monday. (They might not, but hey: awesome writers!)
A gamer at heart, she also enjoys knitting, gardening, cooking and good music. When not busy writing, she looks after one husband, one wannabe rock star, three cats, and one ghost dog.
Check her out at: http://darkeconteur.wordpress.com/
I also contacted a couple of wonderful Irish writers, Ruth Long and Alison Wells, to post. If they're still up for, or you want to find out more about them, just click their names.
Incidentally, all three of the writers I contacted have books available, across different genres and on different formats. There's something for almost everyone! Now, onto to the questions that are begging to be answered!
1) What am I working on? At the moment, though it's in the early stages of writing, I'm working on a book called The Shadows of London. It's the first in a series about a few individuals in the London area who grew up with what could be described as superpowers. They're not heroes. They don't see themselves as special. As it is, the protagonist of The Shadows of London is a petty thief.
I'm also working on a couple of books on writing, but progress on them slowed down when I found something new and shiny from my childhood. (Okay, yes, I'll admit it: it's a game. I've been bitten by the procrastination bug.)
2) How does my work differ from others of its genre? I've been following the superhero genre for some time now. When I was younger, I was obsessed with the X-Men comic of the 90s. This then led to me watching Spiderman, The Justice League, Static Shock, and all manner of Batman cartoons. As I grew older, new heroes joined the mix. Several television shows featuring superheroes - or people with superpowers - were aired and cancelled, and I seemed to fall in love with each of them. Recently, superheroes are making a comeback on the big screen.
With the exception of Misfits, though, most of the stories I became familiar with didn't push the boundaries of morality, and didn't seem to focus on what might otherwise be considered a normal life. It's the normality of what I'm writing that I think sets it apart. My characters are struggling through life, the same as anyone their ages might. Collectively, they'll experience homelessness, depression, mental illness, unemployment, criminal activity, physical illness, grief, and suicide. The fact that they have superpowers are merely the other side of their stories.
The powers provide a reason for them to find each other, and a means for them to deal with their situations, the same as an author would write, or an athletic would exercise, or an artist would paint. These are their skills, their abilities, and they're as natural to them as writing is to me. They're just less common abilities than most people have.
3) Why do I write what I do? Aside from my obsession with superheroes, I've wanted to write about normal experiences that many people shy away from. I wrote a play about depression, suicide and mental illness for the sole purpose of getting people to pay attention to the existence of those conditions and actions. I want to get people to think about the difficulties others might face.
Not everything I write will have superheroes in it, but this is the constant I want to maintain for my more recent ideas. I want to tell stories about experiences that are very real, and remain taboo. Addressing the New Adult market, I want to get people my age - people who are at the beginnings of their careers as doctors and teachers, bankers and lawyers, builders and store managers - to look at the world differently. We're blessed with advancements in technology. Many of us are fortunate enough to come from relatively stable backgrounds.
Someone has to talk about these issues, because it's too easy to ignore them until it's too late. I'm not going to pretend I write simply for the joy of words. Obviously, I do love writing. But it's people that make me want to write what I do.
4) How does my writing process work? This varies from book to book, and from week to week. It all depends on how many days I work per week. In an ideal week, if I'm starting a book fresh, it looks like this:
- Plan the book.
- Write the book, either exclusively (without even stopping to play Tales of Symphonia), or spread out over a couple of weeks.
- Edit the book.
Okay, that's simplifying it a bit. The writing process is more complex than that, usually. I follow my plan strictly, but that doesn't stop me going onto Twitter or Facebook. So, really, I write on-and-off for a few hours, sometimes with some successful marathons.
Often, I'll "warm up" with a haiku or two beforehand, or I'll put on music and just focus on the word document for a couple of hours. That's how I wrote Balor Reborn, and that's how I tend to write most of my books. More recently, I'm writing while my niece is asleep (when I'm minding her, obviously), which gives me about two hours to complete something. That could be a chapter, or it could be a blog post, or a combination of the two. On a good week, I'll get my posts for the week scheduled across various sites by lunch time on Wednesday, and then focus on other projects after that for the rest of the week.
***
Anyway, you're probably tired of me talking about myself for this post. If you've gotten this far, thank you. If you're new here, welcome. And if you're Ken, thank you for passing the baton on to me. I look forward to seeing what Darke, Ruth and Alison have to say next week.
Saturday, March 15, 2014
The Dreaded Future
During a conversation with a co-worker today, I was reminded about how much I was dreading finishing college. I was full of doubt and fear and worry, and I didn't feel one bit prepared for the so-called Real World. I didn't have any idea what I was going to do with my time.
I'm not happy that I didn't have a plan for leaving college. However, it did provide me with the benefit of having to think about it, without the added stress of exams to prepare for. Here's how this has worked out for me as I face the dreaded future.
1. I was able to choose a Masters course to apply for without panicking. When I panic about something and don't talk to people about it, I can sometimes shut down. I should have spoken up during my Leaving Cert about how unprepared I felt for it, and the result of not doing that was not being able to focus on actually studying. Which obviously only made things worse.
With the time to think outside of the walls of college, I was able to find a course that (1) interested me, (2) had career prospects, (3) would benefit me more directly on a personal basis than the courses I had considered this time last year and (4) feels like good value for money.
I was going to try do a Creative Writing Masters. I wasn't entirely sure where, but it was on my mind. However, I don't feel like the courses would have been appropriate for me. I was already at the point of looking at publishing as a business. I needed to continue learning about the various aspects of what it meant to be a writer; focusing solely on the craft, for a whole year, for a large sum of money, suddenly didn't feel right.
2. I was able to think of what I could do as (a) a back-up in case I didn't get into the course or (b) a career following the completion of my course.
I've already spoken about it briefly at various points over the past few months, but I want to work in publishing. Since publishing jobs are so hard to come by, I figured a good alternative would be to set up my own publishing house.
I've thought it through on so many levels, and I think it's still a viable option. It was something I wanted to do before leaving college, and since then I've grown to understand it on a much greater level. I've refined ideas, established new ones, and focused on what makes sense in terms of what to publish and how to produce the necessary effects towards making the business a success.
I've been reading widely, paying attention to how other businesses are run, and looking at various aspects of the process of setting up a publishing house, and I think - given the time to put things together - I could have the ball rolling on it within six months.
That's not a timeline based on research: that's my goal. It could take longer, but I have to create a deadline of some description, or nothing would happen. (Just to clarify: I'm not actually starting this process yet. It will be 2015, at the very least, before you actually see the publishing house being set up properly. There's still a lot for me to do before I get to the point of setting up a business.)
3. I've been able to define my own abilities more clearly. It's one thing to put on a play in college that sells out. (That happened. That was awesome. We raised a lot of money for charity in the process.) It's another thing to be able to call yourself a marketing expert. Basically, since I left college I've been looking at what I can do and what I know, and working on developing both the areas I feel I'm strongest at, and the ones I feel need more work that are relevant to what I want to do with my life.
I've never had this much time to address my strengths and weaknesses before. Ever. I've been able to read different books on different topics, and put different things into practice. I've been reading up on various aspects of writing and business, and I'm working on a plan for publishing that will see my area of expertise expanding.
I don't want to just write about writing. That was never the plan. But it's better to spend time focusing on this one thing for a while, before moving on to also write about another thing. Not only do I need the time to research and develop a plan, I need the time to get my voice out there as a writer on a specific topic.
Those three things have been massively influential in helping me face the future more positively. I'm not worried about the coming months and years. Sure, the economy is still poor. Sure, I'm still only working part-time on minimum wage. But I have a better idea now of what I want from life, influenced by creative and critical thinking rather than an undue amount of stress and worry.
I've been able to figure out the future a little more clearly, and it doesn't seem quite so dreaded any more.
Wednesday, March 12, 2014
A (Lack of) Progress Report
As far as writing has gone this past week... well, I haven't done much. I've wanted to, but I haven't exactly had as much opportunity as I would have liked. The most significant thing I've done is actually figure out why I want to write a particular series. That was done by figuring out what the overall story is. It's important, but it doesn't bring me closer to my target.
The main problem is that I've been spending my spare time relaxing a lot more than usual. That, when combined with exhaustion from a series of sleepless nights (partially my fault for staying up too late when I have to be up early, partially the fault of alarms going off in the middle of the night), has resulted in me doing much less than I'd have liked to.
I'm hoping that tomorrow will help put me back on track, with a couple of things planned for the afternoon and nothing else planned for the evening.
This means I have to avoid the PS3, though. That's been the biggest distraction. You see, recently I came across Tales of Symphonia Chronicles, and, having played the first game a few years ago, I couldn't help but buy it and play it. And play it I have. Constantly. It's not just a nostalgia rush, of course. I genuinely love the game, and I love following the story.
Yes, some of the dialogue is ridiculously cheesy. Yes, the graphics aren't the best. Yes, it's a dated game at this point. But it also has an interesting system of religion at work. It demonstrates the struggle for ideals in equality and peace.
It's a game that helped form the sort of depth I've wanted to include in my fantasy novels. I want to develop a system of religion that fits into the world. I want to create a rulebook for magic users. I want to create a world in which life is actually at stake, but not merely on a global level.
This is why I play games, even when it means not writing. The games that explore religion, and the games that explore the concept of the martyr, they help to create human stories concerned with personal destiny in the wider scheme of life. Colette in Tales of Symphonia has to save the world, knowing it will end her life. The l'cie in Final Fantasy XIII have to make a decision: destroy the world they come from, or die tragically. Yuna in Final Fantasy X has to stop Sin, knowing that the summoner never survives the pilgrimage.
I want to tell my own story. I want to figure it all out before I start writing that book.
Unfortunately, I don't think I can use that as an excuse for not writing the books I've already planned. I have a feeling I'll be playing catch-up on my books for the rest of the 40-day challenge. So be it. But I'll be damned if I have to give up doing something else I enjoy, too, especially on the days when exhaustion takes it toll.
My progress is lacking, but that doesn't mean I can't talk about it.
The main problem is that I've been spending my spare time relaxing a lot more than usual. That, when combined with exhaustion from a series of sleepless nights (partially my fault for staying up too late when I have to be up early, partially the fault of alarms going off in the middle of the night), has resulted in me doing much less than I'd have liked to.
I'm hoping that tomorrow will help put me back on track, with a couple of things planned for the afternoon and nothing else planned for the evening.
This means I have to avoid the PS3, though. That's been the biggest distraction. You see, recently I came across Tales of Symphonia Chronicles, and, having played the first game a few years ago, I couldn't help but buy it and play it. And play it I have. Constantly. It's not just a nostalgia rush, of course. I genuinely love the game, and I love following the story.
Yes, some of the dialogue is ridiculously cheesy. Yes, the graphics aren't the best. Yes, it's a dated game at this point. But it also has an interesting system of religion at work. It demonstrates the struggle for ideals in equality and peace.
It's a game that helped form the sort of depth I've wanted to include in my fantasy novels. I want to develop a system of religion that fits into the world. I want to create a rulebook for magic users. I want to create a world in which life is actually at stake, but not merely on a global level.
This is why I play games, even when it means not writing. The games that explore religion, and the games that explore the concept of the martyr, they help to create human stories concerned with personal destiny in the wider scheme of life. Colette in Tales of Symphonia has to save the world, knowing it will end her life. The l'cie in Final Fantasy XIII have to make a decision: destroy the world they come from, or die tragically. Yuna in Final Fantasy X has to stop Sin, knowing that the summoner never survives the pilgrimage.
I want to tell my own story. I want to figure it all out before I start writing that book.
Unfortunately, I don't think I can use that as an excuse for not writing the books I've already planned. I have a feeling I'll be playing catch-up on my books for the rest of the 40-day challenge. So be it. But I'll be damned if I have to give up doing something else I enjoy, too, especially on the days when exhaustion takes it toll.
My progress is lacking, but that doesn't mean I can't talk about it.
Saturday, March 8, 2014
Just Hook It To My Veins!
Last year, I tried to give blood. I failed immediately. It turns out, if you want to give blood for the first time in Ireland, you can't have exams within a couple of weeks of the donation. They're afraid you might hit your head and not perform as well as you should.
So, that sucked.
Every other date that came up just didn't work out. Until Thursday. On Thursday, myself and my dad - a long time donor - went down to a nearby school. We filled in our paperwork, he went and donated, and I was asked my name and date of birth about eight times.
The thing about giving blood is, you forget for a second that they're going to stick a needle into you, or that they need to test for iron. So, they stab your finger. (Okay, it's a slight prick to draw an itsy-bitsy bit of blood.) Thankfully, my iron levels were good. I was good to go. I was sent to get a drink to stay hydrated - even after two giant glasses of water at dinner - and then it was to the bench.
And...stabbed. Again. With a needle. And this one was an actual needle, which I refused to look at on the off chance that I might feel uneasy all of a sudden. Not that I could ignore the fact that there was something sticking out of my arm. Or that the attending nurse placed the blood bag on my wrist, for some reason. It made me realise that blood is quite warm. I never really thought about it consciously.
I expected to feel a bit dizzy the longer the process went on, but I was fine. I was tired before going, and the bright lights overhead in the school's gym weren't helping, but I didn't feel weak or lightheaded.
That doesn't mean they let me sit up straight away, though. Because it was my first time, they had me lie down for a long time. The nurse even left. Eventually, another member of staff told me to sit up, and when I didn't feel weak, I was allowed to get up and walk away.
All in all, it was a fairly easy process. I didn't bruise. I wasn't sore (except when the plaster tugged at my skin - that was annoying!) I was fine. And I'd given blood for the first time. After almost a year since trying and failing once, I was able to do something that I saw as being important.
Below, I'll leave some links for blood donation sites. It's a relatively painless process, and if your blood is suitable, you could help save a live.
Ireland: www.giveblood.ie
UK: http://www.nhs.uk/conditions/Blood-donation/Pages/Introduction.aspx
http://www.blood.co.uk/index.aspx
US: http://www.redcrossblood.org/donating-blood
So, that sucked.
Every other date that came up just didn't work out. Until Thursday. On Thursday, myself and my dad - a long time donor - went down to a nearby school. We filled in our paperwork, he went and donated, and I was asked my name and date of birth about eight times.
The thing about giving blood is, you forget for a second that they're going to stick a needle into you, or that they need to test for iron. So, they stab your finger. (Okay, it's a slight prick to draw an itsy-bitsy bit of blood.) Thankfully, my iron levels were good. I was good to go. I was sent to get a drink to stay hydrated - even after two giant glasses of water at dinner - and then it was to the bench.
And...stabbed. Again. With a needle. And this one was an actual needle, which I refused to look at on the off chance that I might feel uneasy all of a sudden. Not that I could ignore the fact that there was something sticking out of my arm. Or that the attending nurse placed the blood bag on my wrist, for some reason. It made me realise that blood is quite warm. I never really thought about it consciously.
I expected to feel a bit dizzy the longer the process went on, but I was fine. I was tired before going, and the bright lights overhead in the school's gym weren't helping, but I didn't feel weak or lightheaded.
That doesn't mean they let me sit up straight away, though. Because it was my first time, they had me lie down for a long time. The nurse even left. Eventually, another member of staff told me to sit up, and when I didn't feel weak, I was allowed to get up and walk away.
All in all, it was a fairly easy process. I didn't bruise. I wasn't sore (except when the plaster tugged at my skin - that was annoying!) I was fine. And I'd given blood for the first time. After almost a year since trying and failing once, I was able to do something that I saw as being important.
Below, I'll leave some links for blood donation sites. It's a relatively painless process, and if your blood is suitable, you could help save a live.
Ireland: www.giveblood.ie
UK: http://www.nhs.uk/conditions/Blood-donation/Pages/Introduction.aspx
http://www.blood.co.uk/index.aspx
US: http://www.redcrossblood.org/donating-blood
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