Writing About Writing

At the time of writing this - on a sunny Monday afternoon - three of the seven books in my Amazon store are about writing, with one more almost ready to go live. That's half the books I have published, focusing on some aspect of writing. The big question is, Why? Why write about writing at all?

It's not for the money. Really. There's not a huge amount of money to be made from writing, and I can't exactly boast huge royalties from my sales. It's a niche market, and each book addresses a different aspect of it.

I write about writing because no one ever taught me about it. I had to figure things out from books by people I'd never heard of, people who were twice or three times my age, and who didn't know what it was like to be in school anymore. I only ever had books to read that treated books like an entirely alien object, with many of them stating the obvious: if you want to write, you have to read.

So, I decided I could do better than just a standard book on writing, with a $20 price tag to go with it. I decided to write books about things that would help people with different aspects of writing, and make them more approachable and affordable than what I'd read growing up. The far-away best seller of the books I've published is Planning Before Writing, which shares the techniques for planning book and stories that I've used for years.

Why do I mention that? Because it highlights that there was a gap in the market for a book that would deal with precisely that one problem, of how to plan a book. I don't just offer one option, because that one option would never be enough for everyone. I don't just offer the how to plan information, either. The book is as much about why to plan as it is how to plan, and that's the information that people need to focus on first.

I realised that a long time ago, and wrote and published 25 Ways to Beat Writer's Block as a result. Why? Because people always look for advice on how to beat it. Not just writers, but college students, too. There's are a lot of people who need help with it, and few people out there who can say not just what to do, but also why to do it, and how it benefits to do it. 

That's what I wanted to focus on. I could have written a blog post with just the table of contents, and that might have helped some people. Except it wouldn't have been beneficial to them in the same way, just like the methods in Planning Before Writing are useless without some guidance and reasoning behind them.

I write about writing because I'm a writer with experience with problems, and a teacher with the insight to find solutions to them. I write about it because I enjoy combining my professional practice with what used to just be a hobby.

How Do I Plan My Book?

This week, 25 Ways to Beat Writer's Block is free on the Kindle. To celebrate that fact, we're going to look at some of the basic questions new writers ask. Previously, we looked at whether you should plan your book. If you're going to, let's now look at how you might do that.

How do I plan my book?

While I have a whole book on this topic - I'm that much of a fan of planning a book before writing it - this post can serve as a short master class for beginners. This practice works for more than just novels, too. All we're going to do is break down your book into scenes.

Step 1, figure out some key events in your book. These are the ones you most likely thought of when you were thinking about your book. Before I plan a book, I can already see some scenes in my head, like two characters meeting for the first time, or (as is the case with many short stories I write) a setting that sticks out because of how unusual it is.

How many key events you can imagine depends on how many ideas you've had for your book before this point. Don't worry, we're going to fill in the gaps soon. What we need before we do that, though, are a beginning, and an ending.

Your book will fill in the events between what happens at the very start, and what happens at the very end. If you're planning to write a series, it helps to know how the whole thing will end before you begin, and how many books you want to write. 

Say, for example, you're writing a trilogy. You need three powerful scenes to end each of your books on, that are natural endings to each part of the story, as well as concluding the individual tale contained in the book.

When you have your beginning and your ending(s), then we can move on to Step 2: filling in the gaps. Start with the scenes you have already. What needs to happen for your story to progress from one scene to another. For example, in the first Harry Potter book, we begin at Privet Drive, and later find Harry at Hogwarts. If we took those two key events/scenes to begin with, we then need to figure out what happens between each point.

Do that with each scene or idea you have, jotting down briefly what sort of event would lead to the next scene. Harry needs to get his invite to the school, so that has to happen. But, because we know the Dursleys don't want him to be a wizard, they'll try to keep the letter from him. To deal with that, the invitations keep coming, pushing the family away from the house, to the cabin where we meet Hagrid. You get the idea: each time you decide what needs to happen next, figure out what other steps need to be taken to keep the story moving from one scene to the next.

By the time you reach the end of your book, you should have a lot to work with. Break it up into chapters - use the larger events as a guide to where the chapter breaks will be.

Step 3: write it out neatly, and add in more detail if needed. I usually write out a paragraph for each scene in the book, but that's up to you.

If you want more information on planning a book, you can check out my ebook Planning Before Writing.

You can also find 25 Ways to Beat Writer's Block on Amazon, currently available for free download while the promotion lasts. Read more about it below.

Have you ever struggled with writer’s block? Have you sat at your desk, looking at your work in progress, wondering what to do with a character who just won’t budge, or a poem that just won’t take form, or an article that just won’t work for you? Have you ever joined thousands of authors in the search for a way to beat writer’s block?

From the author of Planning Before Writing comes a solution to the problem of writer’s block: 25 ways to tackle one of the biggest issues facing writers, each with an exercise to help you to develop as an author and improve your writing skills.

With exercises to suit every writer, and drawing on over ten years’ experience in the craft, 25 Ways to Beat Writer’s Block is a must-have reference for your collection.

Available on Amazon.com: http://www.amazon.com/dp/B00HYMVZJ2
and Amazon.co.uk: http://www.amazon.co.uk/dp/B00HYMVZJ2

A Clear and Certain Plan

Later this month, I plan on announcing my publishing plans for 2014. I don't normally do that, but then I don't normally have the time to dedicate to writing from the offset.

Last January was an anomaly. I was lucky to get home early almost every night while on teaching placement. This gave me time to make tea in the comfort of my own home, work at my own desk and at my own pace, and free myself from the distractions that arise from the wonderful people I call my friends. (I would want to talk to them all the time - it's just easier to blame them for being so distracting than it is to accept that it's actually just my own fault. This doesn't count as a confession because it's in brackets. Obviously.)

With all of that in mind, I was able to write a book in the evenings, after I had my lessons planned for the next day. That book would become Planning Before Writing. I did not know when I started writing it that I would be able to publish it in March.

This December, I've already begun planning my publishing schedule. There are a couple of things I need to work on doing, still, and a couple of books that - when I announce the schedule - will be untitled, but overall I have a plan of what I'll be doing next year. This is unheard of for me.

What's changed? I'm not in college. I don't have exams to dread in May. I don't have essays due in throughout the year. I don't have teaching placement in January. Unless things change drastically for me, I'm looking at working only three and a half days a week on average - two in the bookshop, the remainder of the time minding my niece.

Effectively, my time is freed up completely at the time of the year when I'm most able to focus: January. It's been a need to develop that for the past few years, and last year I had the added bonus of creating a New Year's Resolution that would keep me writing consistently for a long time.

But let's just be clear on something: I didn't stick to it this year. There are days that I didn't write anything. By the time I'd written a poem every day for two months and blogged every day for that amount of time, too, I just ran out of things to say. Okay, not entirely true. I actually just hit a slump one week, and it took a while to get the ball rolling again. I'm still not entirely sure what happened, there.

What's different this time around is that I'm not just planning on writing every day. I'm not giving myself a big list of options to work from. I'm focusing entirely on one project at a time. It'll make more sense, soon, but effectively I'm giving myself assignments like I'd have in college, and using my time to create whatever book or article it is that I'm supposed to do.

This is my self-made work. It's all things I'm passionate about, things I've been wanting to do for a long time, now, and just never got around to doing. I'm approaching 2014 with a clear plan in mind, and I'm going to make sure that I actually stick to it. It's not just a hobby any more. This is work. This is business.

Day 13: Surprise!

Every day when I wake up, I check my Amazon sales. It's become a habit, since the free promo days ran earlier in the year and Planning Before Writing actually began to sell. It's gotten to the point where if it sells even a couple of copies overnight, it'll reach a Top 100 position in a sub-category most of the time. In seeing that it had, in fact, done that, I went to the Amazon page to see where it ranked. I didn't expect much.

I expected, much less, to see a review there from May that hadn't been there when I saw the review from June. When I received the June review, a 3-Star review (which isn't bad), I wasn't exactly over the moon. I think I was mainly put down by the star-rating, because I didn't see how it was justified. But then, I was being a bit biased. But it was the only review visible. I literally could not see another review on the page. There was only one.

This morning, two.

I looked at the second. I read the date. I got confused. Then I completely ignored the fact that Amazon hid a review from me for two months to look at the star-rating. The reviewer thought that the ideas in the book were so worth reading that she gave it 5 stars. 5!

I was shocked. I wanted to happy dance all over the house. My brain was too tired to process that sort of movement, though, so I just let myself get giddy. I pretty much stayed that way all day. It was an awesome surprise to wake up to. It was a justification of the work I put into the book, and the sort of mind-set I was in when I wrote it; I was in Teacher Mode, and I knew what I was talking about. I had to, during class, for the sake of my pupils, and for those four weeks that carried through into my writing. And someone acknowledged that something I wrote had some value beyond just the price-tag.

See, that's the thing about reviews. A good review doesn't just say "I was willing to spend to the money to buy this book". It also says "I think this book is worth reading", and sometimes you might even add "Buy this book, even if you're put off by the price". My book is only 99 cent USD, so I'm not sure that really applies in my case, but you get the point - a good review says something about the value of the content, not just about the price of the book as an object or file.

So, that was awesome.

I was then able to arrange to get to go see a play starring one of my very bestest friends in the whole wide world, the ever-lovely Clara McQuaid. She was the lead in my first play-to-the-stage The Rest is Silence, she ran Drama Soc last year (and happened to be chosen by two directors to be leads in two productions during the year) and in the short space of time that I've known her, she's managed to go from being nervous she couldn't do a character justice to having her first professional job as a stage actor. And, well, that's just brilliant. I didn't think, after seeing her in The Rest is Silence, that I could ever be more proud of her, but I was wrong.

I've got the play to look forward to during the week, tickets already bought. It's looking to be a fantastic show (and lots of people are talking about it!).

Oh, and as for the writing... 1,000 words done tonight, but I intend on staying up a bit longer to keep working. Just as soon as I grab more tea.

How Many Ebooks Does It Take?

Every day, I do two things: I check my ebook sales through Amazon, and I update a file that keeps track of my monthly earnings, and my earnings per book. But how many ebooks does it take to match my monthly earnings in work?

Let's break this down a bit:

- A $0.99 ebook earns me, approximately, €0.30.
- A $2.99 ebook earns me, approximately, €1.70.
- I earn, on weeks in which I don't have extra hours, roughly €90 from work. We'll call it €360 for the month.

With those figures in mind, I would need to see 1200 ebooks at $0.99 per month to be matching my earnings from the bookshop. You read that correctly.

I currently have three books with that price tag stuck on them: Planning Before Writing, Old Gods Returned, and Writing Gifts, on a Shoestring.

Similarly, I need to sell 212 ebooks at $2.99 to make the same €360 per month. It's considerably less, as you can see. Right now, I only have one book published at that price: Balor Reborn.

I'm under no illusion that this is an easy task. Selling even a tenth as many books as I'd need to just to match my bookshop earnings is difficult. If a writer planned on making a living from writing, they'd need to: (a) have a massive readership and/or (b) earn money from different sources.

I would recommend the latter. Ebooks, as I think I've said here before, are not the goldmine people seem to think they are. Unless you become a bestseller, you're probably not going to put food on the table three times a day every day of the month from ebooks. (Unless you can feed your whole family on €1.70 per meal and sell only 90 ebooks at $2.99... and even then, that's a challenge.)

Considering the fact that rent for most people is at least as much as I earn per month, most likely more, there are obvious obstacles to overcome financially. Believe me when I say this, I would much rather be able to earn from ebooks than mop up a shop floor on a Sunday afternoon. But that's just not possible at the moment.

Why the honesty about the figures? I guess because I want to make it clear to myself why I'm not just packing in the job every time I feel like I don't want to be there (mopping up floors with people walking on them at the same time, or carrying out rubbish bags that are torn in several places...) The reality is, I don't currently have another way of making money than working in a shop that isn't getting enough business to keep me constantly busy. I wouldn't mind if there was something to do throughout the entire day. I would prefer be nearly run off my feet in the shop keeping the till going or replacing stock on the shelves. I wouldn't feel like I was just waiting for the next person to show up with a book to buy or a complaint to make about how we don't, as a small bookshop, have the out of print book they're looking for.

Part of me had these high hopes that when college finished up, I'd be in a position to change my life drastically. That just isn't so. Sure, life is different. But I didn't make that change. Maybe I'm afraid to do something about it. That seems very likely. I'm going to try challenge that fear this week (Thursday's going to be my Face Up To Fear Day) by doing something different, by breaking out of the mould I'm in. While I'm still going to keep publishing ebooks (and I'm working on getting Planning Before Writing available through Smashwords, but the site is giving me some trouble), I'm not going to pretend that it'll be easy to even match my income from the bookshop any time soon.

It take a lot of ebooks to make a difference in a life. The best way you can help an author is to buy their books and recommend those books to friends. It can help pay food bills, or make life more meaningful, or help save for education, either their own or their children's or their partner's. How many people does it take to change an author's life?

Back On Track

Today, I wrote a wee list of things I wanted to get done in the evening. For once, I've actually managed to stick to it. The list included:

- Finish the chapter I was writing.
- Write a blog post.
- Write a poem.
- Update my sales file on my laptop.

As of writing this post, I have everything else done. While it's not enough to stick to my previously intended publication date for The Hounds of Hell, it's certainly enough that I might be able to get myself back into some rhythm of work again. I had no trouble actually forcing myself to write the rest of the chapter.

As for the poem... well, that was a bit more difficult. Sometimes, I have an idea of what I want to write. Today, I just focused on 's' sounds, and went with it from there. Rather than trying to write The Best Poem Ever, I decided I would just attempt to improve upon how I use certain words and sounds in my poetry. The only way to do that is through practice. I was fairly happy with that.

As you might have guessed, updating the sales file was the easiest thing to do this evening. I have my file set up in such a way that I just need to change one figure (the number of books sold) to determine: (a) how many copies of that book I've sold in total, (b) how many books I've sold in total, (c) how much I've earned, roughly, from a single title, and (d) how much I've earned, roughly, from every book I've published.

What most surprised me was the surge in sales since last night. I was not complaining. I had expected sales to dip from the moment Planning Before Writing stopped being on Kindle Select. I was wrong, and I was glad I was wrong. It seems that the book is simply selling because people wanted to read it, not because Amazon was pushing it especially hard for being a Select book.

With that in mind, I think tomorrow I'll arrange for Planning Before Writing to hit the shelves of Smashwords. Renewing the Kindle Select agreement would only do one thing: allow Amazon, exclusively, to earn from my wee book. I don't have an plans to make that book free again, at least not for the foreseeable future, and so this is the best way forward with it.

It'll be interesting to test the waters of Smashwords again, albeit with a totally different book to Stepping Forward. It'll require updating links on my website and on ModernIrishMyth.com to ensure readers have a choice in where they're sent to, but it'll be worth it. Plus, it'll mean the book will eventually be available for purchase on various stores online. Huzzah and such.

So, that's part of tomorrow's plan. I'll also have to write like crazy, which will be fun. I don't plan on staying up too late tonight, but at the very least I'll be awake in time to take advantage of the day ahead of me. I'm back on track to writing regularly and keeping myself busy. It's about time.

Can You Plan For Exams?

So I'm sure you know (because I don't shut up about it) that I wrote Planning Before Writing. It was a fun little book to write, which kind of surprised me, and helped me to de-stress during my teaching placement in January. People still wonder how I wrote a book during that time. All I'll say is, if I didn't I might not have finished with a smile on my face.

Anyway, writing a book about planning and seeing people buying it (again, surprises me) has gotten me thinking: can the techniques I discuss in the book be used to prepare for exams?

I have three days of lectures left. Three. Then it's study time. It would be really helpful if I could figure this out in a stress-free environment, but I'm not sure that sort of thing really exists when you're a final year student with ten exams in less than a month. (Yay!)

However, it's pretty easy for me to consider how I might study. I've been preparing essays and seminar work all semester using the same techniques in the book, and I knew them all before I actually started writing, thanks to the eight years' practice and learning I've had in the craft of writing. (That makes me feel old... let's pretend I didn't just say that.)

The sort of things that make writing a book and preparing for an exam different, though, are quite complicated. For a start, I don't get to decide what's on the exam, or what shape the questions will take. That pretty much means there's one less creative way to tackle exams that would exist for a book, which makes it so much more difficult to prepare for. Even Non-Fiction books are creative works, and require that the writer have some understanding of how to write something creatively and differently to distinguish it from every other book in the market.

In the case of someone who writes their own books, there's one less creative exercise for exams: someone else decides what you should write about.

Ultimately, that's what exams are in my college: exercises in writing in a short period of time. It's also necessary to remember an obscene amount of information, and to think about topics ourselves in an engaging way.

Our game of Spot the Difference can clearly illustrate that for books you don't have to memorise everything to write them. When I'm writing essays, and even when I'm writing stories based on or inspired by Irish myths, I keep a tab open with info online about the topic, and some notes beside me. That option doesn't exist for exams.

So what needs to be done for exams that's different, then? Since we can't control the topics or the questions, and we can't bring in notes to help formulate our thoughts, what are we supposed to do?

One way we might be helped is if the lecturer gives us some tips. These have, historically speaking, been guidelines for study, directing us to explore particular topics in the course individually for questions, so we're not attempting to memorise everything about ten modules. That's an unrealistic expectation of anybody, and it's the biggest problem I have with the Leaving Cert. But let's not moan about that dragon right now; it has been slain.

So, if we receive some tips (and we have, from some lecturers, though they wouldn't call them tips - that implies they're giving us the questions), we're left with two things to worry about: the question, and the memorising.

Now, the question is actually easier dealt with last. The way I see it, if I can find a way to actually remember things (historically speaking, I struggle with this in exams due to pressure, exhaustion, and a general inability to sit in an exam hall and remember the things I need to know before it's time for pens to go down) to write down, dealing with the question is easy.

I don't believe in using someone else's study notes, so that's that out the window. But what about the planning techniques? Can they be used to study more effectively? I know Mind Maps have often been used for study. I don't know yet if they'll work for me in that way, but I'll see.

Normally, I get some flash cards. I write down everything I need to know about a topic onto an A4 piece of paper, and then transfer it neatly onto a flash card - preferably on one side only - underlining key words. With five different planning methods in my book, can any of them improve upon this method? My grades have been good, on average, the past three years, mind you. Not all top marks, but good. (I'm not going to get in to that at the moment, partially because it's private, partially because I can't remember my grades.)

So, five methods. I'll see how they fare, in the early stages. If I can't remember what I study on a given morning by the time that evening comes around, I haven't done a good job. I'm desperate to make these exams easier on myself, anyway. That's the point of Planning Before Writing, to make planning easier so writing can be more enjoyable. Now, exams are never meant to be easy or enjoyable, but they can be less stressful. That's all I'm asking for. And better grades. That would be nice, too, since I plan on being a bum for a while (while actually doing things that people won't know I'm doing).

There you have it. Final year. Final exams. And I'm choosing now to experiment. I'll know after a couple of days if the planning techniques can be used to help me remember material for exams. Remembering it is the important part, because then I just need to apply it to the question. That's the creative part of the exam, thinking on your feet (or in your seat...) about how to imaginatively and intelligently engage with the question, supply the information that's being asked for, and provide enough original thought to drag your grade up.

This is not going to be fun, is it?

Technical Error

Since publishing Balor Reborn in August (through my website, Smashwords, and Amazon), I haven't had any problems with its availability. Until now. Amazon let me down.

Now, I will add: this wasn't a case of Amazon sweeping in with a mighty iron fist and stamping out my rights to publish my own books. This was something much less interesting: an unexplained technical error that cleared my books from the search function of Amazon, and made them unavailable to purchase even through a direct link.

You can see my predicament.

Amazon is the site through which I sell most of my books. At the start of the month, I noticed that neither Balor Reborn nor Writing Gifts, on a Shoestring were visible. Both were still visible through Kindle Direct Publishing, and set to Live, but that meant nothing in the real world. I was down two books, one of which was fairly new, the other of which has sold more copies than any of my other books.

Not good. And worse still: I was due to publish Planning Before Writing at the end of the week.

I decided not to get disheartened or bloodthirsty. I contacted Amazon, explained the problem, and they got back to me fairly swiftly. I confirmed that though they had managed to turn the books up in searches of their own (as my friend Ian managed, too), they were not showing up for me, and when I went through KDP to access them, they weren't available.

Planning Before Writing was still published, as planned, last Sunday. It listed live and was available, though my two vanishing acts failed to showed up.

Today, things picked up. I checked KDP to see if there were any updates on sales figures. This is something I do regularly, sometimes to feel like I'm doing work, mostly out of curiosity. That was when I found out that Amazon had solved the technical error that they had gotten some people working on. I knew, because Balor Reborn had sold a copy. It's been a long time since I was so happy to sell a copy of that book!

Why am I telling you this story? To put it simply, I think Amazon did something right, and to point out that these things can happen easily. It wasn't a malicious assault by Amazon, though they sometimes pick up bad press with Indie authors, and they fixed it. It took a while, but I imagine their servers are fairly busy.

Plus, I mentioned this on a couple of social networking sites, and I think it's only fair to make it official: everything's sorted now. I'm back in action, and my author page on Amazon has never been more pleased. Four books with my name on them are now floating around the wonderful land of online publishing. Setbacks  like this aside, I think things are going quite well.