Two on the Go!

I'm a reader. If you don't know that by now, you really don't know me. I love books - which is a good thing, too, considering I work in a bookshop - and I often find that one is never enough.

No, I have to have two on the go at all times. That's how I do it. One novel or memoir, and one book of non-fiction - usually one on business or writing or personal development. (The latter being an incredibly vague descriptor for a genre. Some are total mindset books that lead you to take action, some are totally practical books that attempt to alter your mindset through method, some rely on spirituality - the variants are seemingly endless.)

The main thing is that I don't attempt to juggle two stories at the same time. Anecdotal stuff in a non-fiction book is fine - it can help to illustrate a point - but I prefer not to mix the stories up in my head while reading them.

Here's how I do it:

The story I'm reading - at this moment in time, It's Kind of a Funny Story, is reserved for my lunch breaks in work, and bus journeys, when I'm not too tired to read. When I start college, that guarantees me two hours of reading per week, when I'll only work weekends. That's a minimum, because I'll probably make more of an effort to read on the bus when I love the extra day in work for reading.

I use this time for reading stories because I enjoy the escape, and I like to unwind with them. But there's another reason, and it's why I read the non-fiction books at home, in my personal time and space - I don't feel like I'm wasting time by reading non-fiction at home.

Let me clarify - fiction is not a waste of time. But when I'm at home, I'm presented with an option - my fiction, or someone else's. It's a better use of my time when I use it for (a) writing or (b) developing myself, my writing knowledge, or my business knowledge.

When I read non-fiction, my current book being Get Sh*t Done! by Niall Harbison, I think of it as investing my time in learning something important. In the case of my current read, it's using someone else's life lessons to develop a means towards living the life that I want - not the life other people want for me.

That's a different lesson to the previous book on my list - Creativity Inc. - which shed some light on how to run a creative business. This was, of course, in the context of a company with employees, and not a solo operation. However, there's something to remember here, about education and learning: while authors and teachers have their own intended learning outcomes, students may come out of the experience learning something else. In my case, how to better work on a creative team.

Why is that important? Well, my college course will require a lot of creative work with other people, people from different backgrounds, people I haven't even met before.

Do I have a book on how to better improve my people skills before then? Yes. Of course I do. I also have a book on how to feel more alive, one on dealing with change, one of being more effective, and one on public speaking - just in case I need to make a presentation. Those lessons are all valuable uses of my time, and I wouldn't be surprised if I found myself dedicating a lot more time than usual to reading them in an effort to draw some inspiration before my course begins.

But I won't just be reading those books. I'll be juggling some stories, like Maureen Johnson's The Last Little Blue Envelope, or Josh Sundquist's Just Don't Fall, or David Levithan's How They Met, or Darren Shan's Zom-B Clans - that's one novel on love and growing up and stuff, one memoir on growing up (with, and then without, cancer), one collection of short stories, and one zombie novel. Those are just the ones I think I can finish before college, comfortably, before I tackle Clash of Kings by George RR Martin.

This type of reading isn't sustainable, of course. There will come a time when I'll be forced to choose one or the other - and switching between the two as it suits me - because I'll have to read specific titles for college. But, while it's an option, it's the best one for me. Diversity in reading is important, and when I see people purposely choosing to avoid books that (a) have a story or (b) don't, I wonder if they've ever really given it a shot. I like to learn something new, and usually about something I wouldn't ever study in school or college (because, frankly, I don't think it's possible to grade somebody on something like personal growth), and I like to expose myself to new stories all the time.

Stories help us to develop a sense of empathy and understanding. That's one type of valuable lesson, and it's why I still write fiction when the truth of it has been revealed (the truth being that it's very difficult to make a living from writing fiction) - I believe that people can get something from reading lots of different types of stories, and that the exposure to new ideas and new people (albeit fictional ones) allows us to live a more open life.

At the same time, I believe that if we want to change our lives, we should. Society has this weird stigma attached to being different, and even when so many people read what are broadly described as "personal development" or "self-help" books, many people still look at them and wonder why they're reading something like that. (I used to. I'm speaking from experience here. My perception changed when I realised that I needed to.) Why do personal development books matter? Why should people care about what different people have to say about how to live life, or be happy, or run a business? Because we all live different lives and we can all learn from each other. 

If you don't know how to escape the 9-5 job, someone else has probably already written a book about it. If you don't know how to influence people towards your way of thinking, someone else can probably explain how they do it. If you don't know how to do more with your life that you actually want to do, someone has probably written a book about it. (In fact, books do exist on those three topics - The Four Hour Work-Week, How to Win Friends and Influence People, and Get Sh*t Done! being the prime examples!)

I'm a reader, and while I still have the option, I'm going to continue taking on two books at a time. I'm not doing it because I think it'll make me a better person - I can change as a person, if I follow the lessons in the book, not just by reading it - but because it makes me a happier person. Reading is a pleasure, and whether I'm learning something new, or meeting new characters, I'll always find joy in a book (or two.)

A Professional Focus

I have a theory: I'm much more likely to get my Dream Job if I'm already working in the field in some respect. As far as theories go, that's not awful, right?

For me, it's publishing. I'll always be a writer, but there's only so much help I can offer to the writers who are looking for it from a desk in my small bedroom. I want to be able to help writers complete their books, publish their books, see their books for something more than a vague idea in their head.

However, since I have the whole "Do a Masters" thing to consider, I can't do either of two things at the moment: get a full-time job (period) or start my own business. With that in mind, I decided I would re-evaluate my plans for some books. Specifically, I would take the books that looked like I was just piecing them together and turn them into something more useful.

Seriously, though: I literally had a book that consisted of vaguely related ideas. Not. Any. More.

I'm taking what I call a "professional focus" on this. Yes, I've been treating my books professionally from day one, but to the end of being a writer. I've decided that my books should also be related to what I want to get from life.

I've already got Planning Before Writing and 25 Ways to Beat Writer's Block. To them, I'll be adding a few other titles, covering various areas of life as an author. The focus will be split between the craft of writing, the business side of things, and the lifestyle side of things - the three areas I had originally wanted to focus upon in my vaguely-connected books.

I don't plan on bombarding the market with them all in one go, of course. I want to take the time to write the properly, and to mix things up a bit so the books don't focus on one single aspect of writing. Today, while on my break in work, I put together short plans for four books, two of which I've wanted to write for a while regardless. It'll be an interesting project, and it fits into the general aim I set myself at the start of the year: establish myself as an "expert" in the field of writing.

To make a long story short, I want to be able to say to a publisher - either one I'm applying to, or one I'm submitting to - that I know a thing or two (or ten...) about what it means to be a writer, and I know how to make the process of writing and publishing a book so much easier than a lot of people make it for themselves. It helps to be able to prove it with more than a CV.

This is where the "professional focus" comes into play. I'll be working as a publisher, and working around the field of publishing, for pretty much the entire duration of my Masters. The entire time, I'll be preparing myself for the opportunity to say "This is what I can do; this is what others have said about it, and these are the pieces of paper from an established university that say I can do other things too."

I have to believe that I'm on the right track here. As it stands, I've already been told my experience is impressive. (It just didn't help that the company wasn't in a position to hire, because that's the publishing world for you.) I have a plan for myself, as difficult as that may seem for some people to believe. It's not so specific that outside variables can completely derail things within the next two years, and it's not so vague that when it comes to implementing the Grand Finale I'll be left without options.

I know what I want to do with my life, I have an idea about how to do it, and I'll be damned if I'm going to let myself get away with not even trying. I have a theory, and it needs to be proven.

And, just to make it specific about what I'm going to do now: I need to compile the plans for every book on writing I'll be writing and publishing over the next 18-24 months. I'll be typing them up, colour-coding them as Craft, Business or Lifestyle books, and placing them in a folder in the planned order of publication. On Monday, I'll begin the process of writing the next book.

***

It's worth mentioning, at the moment I'm offering friends a helping hand with their writing as a sort of free coaching service. (Sort of a coaching service, not sort of free.) Feel free to contact me with any sort of writing-related questions you might have. If I feel like it could benefit more from a direct conversation rather than an email reply, I'll put out the offer to you. This is all time-and-energy based, so if I don't reply right away, or I can't arrange a conversation (through Skype or Google+), don't be offended.

Subject to Change

I have dreams. I have big dreams, and I have little dreams, and I have dreams inspired by books that I read. I aspire for things now that I didn't think I would ever aspire to ten years ago, and almost every new book I read makes me want to do something else amazing. My dreams are subject to change.

When I read The Millionaire Messenger, I decided to become an expert in writing. I made a conscious decision to publish an article a week on my website on the subject, and I've been keeping to it. I built a schedule to publish new material across my three main sites regularly: my writing website, my personal blog, and my poetry and prose blog. I haven't missed a day all year. I'm still on the path to establishing myself in the field.

As part of this, I wanted to write and publish three books on writing that go a step above and beyond Planning Before Writing and 25 Ways to Beat Writer's Block. I planned all three, and I still intend on writing them. Today, I drew up the schedule for completing a novella, and then beginning the first of these three books.

When I read The $100 Start Up, I decided that it wouldn't be too difficult to start a publishing house. I drew up lists of ideas to get things off the ground. I drew up lists of what people I knew had experience in. I ended up with two potential publishing houses that I could, in theory and with some persuasion, follow up on.

One of these has been on my mind for a long time. The other first came to mind last summer. I still haven't followed through on either idea beyond the lists, because I have to acknowledge something: there's a time to start a business, and a few months before planning to begin a one-year, full-time Masters is not that time. In the interim, I still have books to write and publish myself, giving me a full 18 months to develop:

- My publishing prowess
- My ability to market, including cover design and through video
- My plans for publishing
- My audience
- My ability to guide writers in the right direction

The dream job of working in publishing still exists, and there are some things I can only learn through experience. That said, there's a lot to learn before I start out trying to publish others on a regular basis. I don't know that I would do anybody justice taking control of the publishing of their books right now, not on a professional basis. (I can offer help, or give it if asked, but I can't be The Publisher.)

When I started reading Teach Yourself: Make Money From Freelance Writing, I decided that I could build upon existing ideas, and work from previous research. The world of established publishing is looking more appealing. It's also reshaping the three books I've planned. By the end of the month, I intend on having an established plan set out - or at least a new name for the first of the three books I have planned on writing. (I need to re-visit the plan before making a decision on whether to change it entirely or not.)

When I read The Curve, I had an idea of how to actually do all of this in a changing world. A publishing business can't exist in a vacuum. If I pursue digital publishing, I need to be prepared to offer alternatives, and I need to find ways to make everything more appealing than just another ebook on the virtual shelf. I decided I wanted to be more than a publisher, and more than a writer. I wanted to be the go-to guy that The Millionaire Messenger was encouraging me to become, but with a more direct focus on how to it in the face of the future.

I have big dreams, and I don't know how long it'll take until I start ticking them off the proverbial list. I aspire for great things, and all the time my aspirations are subject to change. Every book I read, every experience I have, that's relevant involves a degree of fine-tuning, or gear changing, or adding a whole new perspective on the unseen potential at hand.

I'll talk a lot about how I want to do X, Y and Z, but you've probably noticed by now that a lot of the time the talk remains that way until I'm actually ready to do something about it. I know how quickly life can change and how that affects even the simplest ideas, and I'd like to say I'm doing everything I can to anticipate those changes before they do any real damage.

Here's how I see things right now: I want to write professionally, and I want to do it as a hybrid writer - part Indie, part Traditional. I want to see a novel in the bookshops, a book on writing on a nearby shelf, and articles in the media, and I want to put more work online by myself, managing those decisions myself until or unless someone else decides they look like something they want to publish. I have dozens of ideas to work with, and I don't want to limit myself.

By mid-April, I'll have a lot of freedom in my life, and a lot more time to spend on different tasks and challenges. Between now and then, I need to finalise the next step. I let life get in the way a bit too much, lately - life and procrastination - and I think it's about time I did something about it. I have a book to publish in the next couple of weeks, another I want to write - both novellas - and a third, a book on writing, that I need to get a start on, bit-by-bit for the next few weeks.

Everything is subject to change, and that's the challenge of trying to write for a living. But like anything that involves money, starting out is often the hardest part.

If It Falls, It Might Break Your Legs

Since the New Year began, I've been in the process of moving into the box room in my house. It took a day to move the bookshelves and bed downstairs, and then there were several long waits between getting the correct shelving put up on the walls. I'm still waiting on a couple of CD shelves.

The most noticeable addition to the room is a large square shelving unit from IKEA, Land of the Stylish Furniture, Home of the Ridiculously Convenient Storage and Shelving Units. It sticks out over a foot over my bed, and came with the warning from my older brother, "If it falls, it will break your legs." That's a rough paraphrase, but you get the point.

I like to think of this massive shelving unit as a worthwhile risk. Part of its job is to remove clutter from my desk - I have a set of boxes, one of which will hold miscellaneous office stationary - while also holding a couple of items for storage and some for display. It looks amazing. It will look more amazing when it has been filled with light-enough items. And if it falls, it will break my legs.

I don't think I can stress that part enough.

The reason I bring this up is because, having just finished reading The Curve  by Nicholas Lovell, I'm beginning to recognise the importance of taking risks. In every industry, someone has to take a risk for that industry to survive. Someone has to experiment. Someone has to try something new. Someone has to risk it falling down on top of them, breaking their proverbial legs.

It's probably not the most user-friendly metaphor for risk.

The book was an insight into the world of business, and it helped me make a decision I had been thinking about for a long time. When I publish book three of the Modern Irish Myth series, the books will be put on hiatus in terms of publishing. I will still promote the books. I will still work on the later books in the series - albeit without the immediate intention of publishing. I will still love the books.

The problem isn't how much I like them. The problem is how little they sell for how much time I put into them. That's not a complaint, just a statement of reality. I'm still working on building an audience, generally speaking, and I think maybe people need a different type of book. Heck, I need a different type of book, and I need to see how well I can sell the existing books in the Modern Irish Myth series. I'd also like to redesign the covers. Simplicity doesn't do it, any more. (That actually goes for all my older ebooks. I'd like to do new covers for them.)

This kind of falls into the same sort of thought patterns I had when I was reading The Millionaire Messenger by Brendon Burchard, and when I was putting together the plan for a new series of books. I can't just write all of these books that aren't selling as well as I want them to, not if I need the little bit of money I can get from writing others books that are more likely to sell, and that I also really like writing. (It's a rough guestimate, without really having done the maths, but I think Planning Before Writing has earned me about 95% of my royalties in total, and it's only 99 cent, USD.)

So, I'm taking a risk. I'm going to write other books and try them in the market. I'm going to try different things in my life that are based around the other books I'm writing. I may be setting up a small business from this. I don't know yet. (I know I want to, and I know what I would do, I just don't yet know how well I'd be able to do it. I still have more to learn on that matter, but I've been getting there for the past four and a half years, even though this is a more recent idea than, you know, when I started in college.)

Basically, my life is changing and I want it to. I've learned a lot about writing, about business, and about myself in the past few years. I like where my life is heading when I get passionate about something, and I have a magic green folder in my room that says I need to do this. I have articles in magazines telling me to write the things I need to write (for money) that I love writing, and I have books telling me to plan my life in the best way that the money I'm earning is nearly on automatic and whatever other time I have is extremely valuable.

I've needed someone to tell me that, and several authors did in their own ways. That's awesome.

With all of this said, I should probably mention a new book on its way to publication within the next couple of weeks. I finished writing everything but the conclusion earlier this week. Later this month, I'll be publishing 25 Ways to Beat Writer's Block (While Improving Your Writing Skills). I'm very excited about it. There are some really simple ideas in it, and some that I think are just wonderful. Every chapter has either a writing exercise to help you develop some aspect of writing while working on getting back to your current work in progress, or some tool for helping develop yourself as a writer and/or a person. (It really depends on what you take from the book.)

I still need to write the conclusion. I need to edit the book. I need to design a cover and write a blurb, and I need to do all of this while also working on my next big project. Before all of that, I need to decide on what my next big project will officially be. I have ideas. I know what I want to publish in March/April. I just don't know if I'll have another in February/March. There's a big one, and a smaller one, and I like them both.

Basically, I'm spoiled for choice on books I love the idea of and really want to write. (These are all writing books. Aside from book three in the Modern Irish Myth series, I don't have a planned novella for publication until September. That's assuming I nothing changes between now and then. That's very possible.) This is a very exciting time to take a risk by abandoning one thing I love writing for another. It could break my proverbial legs if it falls. Or, it could hold up well and look great doing so. Right now, with everything so unpredictable, I can only do my best, go in with a plan, and be prepared to fail spectacularly.

This is why it's so exciting to be a publishing author at this point in time, and even if there's a little bit of mess made along the way, if it all works out well, it really looks well.

Learning From Home

With my graduation drawing that little bit closer, I'm beginning to notice how little I learn these days when compared to life in formal education. And you know what? It sucks. I hate not learning something new every day.

I've remedied this, slightly, by beginning to read the business and marketing books I've got on my shelves. I think I would have hated studying them in college and having to write about what other people did in those fields, and studying general principles of them - as opposed to having a look at literature as a whole, and studying religion both in depth and as a basic concept, and studying child psychology and education - but they're two of my favourite things to read about at home.

The books vary depending on my mood, but most recently I read through two of the books in the Teach Yourself (In a Week) series. One of them I read in a day - something like three chapters before work and four afterwards - instead of spreading it out over the week. More recently, though, I'm reading Brendon Burchard's The Millionaire Messenger.

Now, I'm under no misconceptions that I might become a millionaire in a short period of time. It's not a get-rich-quick book. What it is is a book that's getting me thinking, specifically about my strengths and experience, and in a positive light. I'm on a few chapters in and it's already had me pick up a pen and paper and jot down (in key words) everything I know about a topic, and begin writing a book because of that list. Best of all, though, is that I'm only getting started on the book.

One of things that's been missing since I finished up in college was a sense of direction. With modules, there's always something to aim towards, some assignment that needs doing, or an exam to...anticipate. While I'm glad to be free from the strict and horrible deadlines and stress that arise from such things - especially exams - I do miss having the defined course in front of me, and miss learning what someone else sees as being important.

Hence the learning from home, and reading through entire books on a wide range of topics under particular subjects. Basically, I have a need to learn something that hasn't gone away since my final exams. I'm glad for that, and even happier to have actually gotten back into the habit of reading regularly.

It's not just the business books, mind you. I mean, I'm not testing myself on any of this, but part of what made my course fun was having fiction thrown into the mix. So, I've been reading fiction. My home reading is non-fiction, but my lunches in work and every bus journey I take are devoted to reading. I'm half-way through book 4 in the Mortal Instruments series already, having also read a number of other books too, since September.

If I'm remembering my reading list correctly, since reading City of Bones, I've also read Everyday, Miss Peregrine's Home for Peculiar Children, and Numbers, with City of Ashes and City of Glass following them up. Before those, I read Dr Jekyll and Mr Hyde, and Severed Heads, Broken Hearts, and volume one of Morning Glories.

While it's not a huge amount, it's more than I had time to read in the same amount of time while I was still a student. My hope is to finish up the Mortal Instruments books soon, then give something else a try. If I have a lot of hours in December for the run up to Christmas, I know I'll have plenty of lunch breaks to fill with books.

What I'd love is to actually get myself into a routine of reading a book per week of fiction and of non-fiction, while also writing. However, the way things are working out of late, I haven't had much of a chance to set up a weekly routine. It had been my hope at the end of the summer to have a full schedule lined up for myself, but work hours haven't been regular enough for that. (And, I'll admit, I've been lazy at times.)

Generally speaking, though, I think I'm getting on to a good start in terms of reading, and my new writing project could set me on the path to writing more regularly as well. I've done just enough work on it that abandoning it now is just wasteful, so that's a relief. That said, I'm only 12% into it. Tomorrow night might see me add another chunk to it, but it won't be much. Still, early starts and (almost) daily contributions to the book will see it finished in no one. Just like Planning Before Writing before it, this book can be done in bits and pieces, steadily over a period of time, without me worrying about losing my place.

And here's my question for you: are you reading anything interesting at the moment? Any Young Adult or Business recommendations you can make?

Day 12: The Day That Disappeared

A few things happened today, and in the interest of writing once this is done, I'll keep this post short. Most significantly, though: I can't really figure out where the time went today, but it wasn't spent writing.

I woke up late. That always sucks.

I ate breakfast, I had tea, I played Skyrim briefly before a lunch-time dinner. And then I draw a blank.

Actually, that's not entirely true. I planned a couple of things, neither of which were stories. One is a budget that needs regular updating. I'm going to stick to it rigidly. Weird as it sounds, I'd like to be prepared for Christmas this year. And I want to go to London at some point, too, so I'll need money for that.

The other thing was a list, a schedule. I have a lot of books on business and personal development, and I've decided that from Monday onwards I'm going to start reading them, a chapter a day. I'll make notes, I'll do the tasks the books set, and I'll ensure I educate myself in a few different areas.

I also let some ideas wander around in my head, one of which is for a book, the other of which is for a kind of business-y project. I still need to work out the details on each, though they're looking to be fun. I have a feeling, based on my projections for writing, that I'll be able to write the book in January. That may also be when I get to start with the other project, unless I work a lot quicker at it than I originally intend. (That's probably what's going to happen, once I get myself back on track again.)

In short, though I can't really recall doing much today, I seem to have made long-term plans for finance, reading, writing and working. And the heat has kicked my ass again, today, making me sleepy already. Tonight's target: 1,000 words.

Options

John Green once said in a video blog that the older we get and the more decisions we are required to make (where to go to college, what to major in, where we work, etc.) the less options we have in life. In some ways, this is true. I studied English and Religion, and with no practical experience in construction it would be hazzardous for me to build a house, whereas a Science major who doesn't read or consider the spiritual dimension of life at all (even for other people) wouldn't be suitable to enter a classroom to teach either of my chosen subjects (with which I have a teaching qualification...almost... you get the point!)

However, John's brother Hank is but one person who demonstrably created new options for himself. His main field of work, before the Brotherhood 2.0 project, was in ecology. (That's simplifying it.) A few years later, he's a multi-album, sell-out-touring musician (with his own record company, too, DFTBA Records), who runs a major video conference every year (Vid-Con), helped produce a web-series (The Lizzie Bennett Diaries) and runs a number of smaller, but still significant, projects, including a business that sells 2-D Glasses. His choice way back in his teens? To study Science. Hank also considers the greater questions in life, but he's a teaching qualification away from having his own classroom, even for Science, but that doesn't stop him running Sci-Show and co-running Crash Course on YouTube.

But what about someone without a college qualification? Of the people I'm familiar with online, Alex Day - another YouTuber - shows that you don't need to have a degree to make something of yourself. He's a college dropout turned Top-40 musician. (I don't think he liked the course very much, though his one-time membership in Mensa suggests he was more than capable of actually completing it.) He also releases albums with DFTBA Records, along with t-shirts, but released his singles solo. He also has a card game (made with his cousin) called Sopio, and runs Life Scouts.

Do our choices limit our options? Not necessarily. Day and the Green Brothers (John being a former hospital chaplain, among other things, before finding fame and fortune through vlogbrothers and his New York Times Bestselling novels - enough to live on with his wife, son, dog, and a second child on the way) show clearly that their choices in their teenage years didn't stop them following through on their dreams and ambitions. Is it possible for everybody else?

Let's look at it in my case. Technically speaking, I'll be qualified to teach. However, a degree in English also allows for me to work comfortably in a number of different fields, including publishing and journalism. I made the decision to write as much as possible when I was fourteen years old, and that hasn't limited anything I've done in life. Far from it. If anything, I've given myself more options, especially coming to the end of my college years.

But I also have an interest in business. I read about it as much as I can, when I'm not working on essays or studying for exams. I have a business plan in the works (a project I've mentioned before in more vague terms that is becoming less of a secret with certain people, but still very much private), something that has only been affected by one formal choice in my life - to study Business at Leaving Cert level - but is otherwise based upon my own interests.

What's most significant about this, for people who might feel they are limited by what they studied formally, is that something I did privately, out of my own interest, that was in no way connected to my formal education, is now affecting my life in a postive way. Just as Alex liked card games, John loved writing and Hank enjoyed music and videos, my personal interests are impacting on the options I have in life, opening them up, rather than limiting what I can do in life.

Something Dave Lordan mentioned at yesterday's workshop comes to mind as I write this, too: it's not the builders, the electricians or the plumbers he knows who are finding work, but the writers, the artists and the musicians. Working in the Arts is an option, now, more so than ever before, and especially in Ireland.

My recommendation, though, is to learn something about business and marketing if you want to make something of yourself in the arts. (I have an interest in them, and so began reading about them before making the realisation that it was actually beneficial in being a writer.) It's possible to do something without knowing much about business, but it's much, much easier to actually have control over your life when you know how others do - this going beyond mind-set, and into actual practices. There's also the advantage of being reminded of some important factors, like who you will deal with in being an artist (in many cases, retailers, publishers and the media) and how you present yourself to these people; how forecast your money, and the reminder to pay taxes on what you earn (in some countries there's an exemption, or a reduced rate - check with your tax office!); thinking about how to work in the long-term (for businesses, making changes or releasing products); and a whole lot else (especially in terms of marketing) that can make drastic and sometimes necessary changes to how to work as an artist.

Do you need a professional qualification to run a business? No.

Do you need a professional qualification to work as an artist? No.

Both are things you can pick up yourself if it suits you. You already have options in your life, based on your previous choices. Most of the time, as John Green rightly said, your decisions reduce the number of options available to you. However, that doesn't mean there aren't many decisions you can make that will do the opposite. Consider your hobbies, your current job, your current situation in life (married? kids? pets?) and the courses and books available to you, and tell me you have no more options. For most, it's simply a matter of making one more decision.

A Room That Means Business

Last night, I stayed in a hotel. In Dublin. Despite living fifteen minutes away in a car, with some light traffic. Why? Well, it was my college ball. I'm way too tired tonight to really talk about the ball, particularly since I need to figure out what should and should not be said, but what I can talk about is the room.

See, I've never stayed in a hotel before. I've definitely never stayed in one in Dublin, so close to the airport. However, it really showed, when it came to the rooms. Lovely as they are, there was something about them that spoke of the type of customers the hotel is used to receiving: people who run, or are executives in, businesses, and those who travel for business. How do I know this? Observation.

Every room came with a copy of a business magazine. This was on a table between two armchairs that didn't face each other. The rooms are not always booked for people who will necessarily talk to each other, at least not face to face.

In each room, there was a desk, with an abundance of sockets nearby. To me, this spoke charge-points for laptops, tablets and phones. It was clear that the room was set up for work, and for people to be ready to leave for business after their stay in the hotel.

The walls were not entirely sound proof. Pardon the crudeness of this suggestion, but it seems that they were not designed with intimacy in mind. If most customers are there for business, rather than pleasure, as might be suggested by its location (close to the airport, not the city centre), then it is less likely that there will be a need to drown out the sounds of peoples' neighbours late at night.

The cafe on the ground floor was blocked off. It was designed to be comfortable, but private, and suggested to me informal meetings.

The room where our ball took place was designed with two things in mind: conferences, and parties. The distinguishing feature was the partition that could be move to join the seating area with the bar. The arrangement of the tables towards a stage at the top of the room suggested that people would focus their attention to that point, with very little space for dancing, which again suggests to me conferences.

Is any of this a criticism of the hotel? No. Absolutely not. It was a lovely hotel, the beds were comfortable, the staff were polite, friendly and understanding of the obvious drunken nature of many (or most) of those at the ball, due to its celebratory nature. Literally the only problem I had all night was with the noise from some of those from my college, but that was to be expected. The point of this blog post is instead to highlight how the nature of the business affects the environment of the building. Setting up rooms for work, supplying a wi-fi code to all guests, and creating a positive, stress free environment suggested to me the typical clientel of the hotel.

For the writers reading this, this is an important consideration to make when writing a setting, particularly if you have a hotel or other holiday spot to write about. Think about what people might need the establishment for. This comes down to what is supplied in the rooms (a dresser, rather than a desk), how sound-proof they are, how dining areas are set up, the last times in which food will be delivered to rooms (as much a staffing concern as one that ensures noise is reduced by eleven at night) and the layout of the events room(s). The purpose of a location (a business, a home, a public area) will define how it should be designed, and so help in the description of such a room. Whether you choose to put your character in a suitable environment for their situation, or make them feel uncomfortable and out of place in an ill-fitting location, is up to you. What really matters is that the purpose of a setting is clear in its description.

Stepping Forward into Hell

This weekend, possibly because it was a long one and I wasn't getting drunk in commemoration of St Patrick, I put together a few different things for the coming months of my writing life. It was a fun weekend for me because of that. (Hey, look at that - I enjoy productivity!)

Aside from writing a ton from my topic cards, I put together a cover for a book and planned another, Stepping Forward and the sequel to Balor Reborn respectively.

You might have noticed that Stepping Forward stopped being available for free last year. This was in preparation for the more serious aspect of my writing career; I didn't want to just share my writing for fun, as I had done when I initially made Stepping Forward available. I'm making publishing my books a business, as it should be.

However, I loved Stepping Forward too much to just let it disappear forever. It will be coming back, edited and revised and with a new cover. I had plans for this cover late last year, but I didn't follow through with them until this weekend past. I'm not a graphic designer, but I enjoy putting together covers. Thankfully I receive some feedback from people, so I don't end up with the first thing that comes to mind. As a result, I've ended up with the cover below for Stepping Forward. I'll have to have a look at the manuscript again to determine how much I need to rewrite to improve the book. After that, I'll have a (re)release date for Stepping Forward.

As for the sequel to Balor Reborn, it's finally planned! Entitled The Hounds of Hell, it takes us out to the West of Ireland to the Murray household, where the neighbourhood dogs are running wild and a strange sickness has fallen over the locals. I'll be planning the sequel before I start writing it, but with my track record in mind it shouldn't take long to actually write the book.

That sounds like bragging. It's not. (Okay, it's not just bragging.)

But with that in mind, it should be made clear that once I'm free of college and seminars and exams, I'll be able to crank out the rest of this series within the space of a few months. If I plan the remaining books before the end of my exams, I'll probably be able to write the rest of them by September.

And by saying that, I've probably jinxed it.

I suppose I should make it clear that I am not just working on the Modern Irish Myth books. I've got a couple of big projects for the summer, which you'll hear more about soon. I can confirm that they are not novels, though that doesn't mean I don't have novels to work on (the sequels to my two favourite NaNoWriMo books - Meet Sam and Bliss, for a start!). Again, both of these need to be planned completely before I start writing them.

But yes... I'm planning my future writing in a major way, with publication in mind. This is a business, after all, and I'd be made to ignore that fact.

Life's Everlasting Learning

I've always liked school. Weird, right? I mean, I hated most of the work. A lot of that was mainly that I liked doing other things, and there was a lot of it. I get why we had it, though. It's all part of learning, and because of the way school works these days we had to get a lot of homework just to get everything done. But this isn't about school. This is about learning, which is precisely why I liked school.

See, I'm all about learning new things. I like picking up information and being able to use it. It makes my days so much better to be able to learn something in them.

So, even though college is over for the summer, I'm still learning. Admittedly, I'm not doing my research for my paper, but that can be done at another time. Right now, this is all about learning stuff for myself.

Brendon Burchard, this one guy who knows stuff (Google him!), advises people to set out each month of the year to learn something new. This month, I've been learning business stuff. Vague description, I know. I'm a writer don't you know! Specifically, I've read a book on marketing and a book on strategy, but I have books on other topics and I've been watching videos. I'm focusing on what might be of use as a writer, which subsequently included just about everything Burchard teaches on his different programs. Since I'm not exactly wealthy, I've been going with his free information in his videos and I bought two of his books. I'm still waiting for them to arrive.

I've also signed up for information from a bunch of others in the field, though, and it's meant that I have a stream of lessons coming into my inbox every day or every other day from a few different people. I take notes, I learn, and when I get things get up properly I can begin sharing what I know to save people who don't have it the time I spent watching all those videos.

I'm still looking for more stuff to learn, of course. If you know of someone who produces videos and webinars that are free to watch, even if it means signing up to their website to get them, let me know. I'm always up for learning.

That's all well and good for this month, of course, but what about next month? July is rapidly approaching.

So, I figured I'd tackle something I've been meaning to do for a long time: I want to learn how to cook. I'm going to start basic, and a co-worker and friend of mine has advised a book. She's ordered it into the shop for me to see. I'm pretty excited about it, actually. The book looks amazing, and it'll be worth the investment if it means I can cook my own food for the first time in my life. So far, I'm limited to food that goes into the oven without preparation, sandwiches and things that go into the toaster. The microwave, too, but I don't use that unless I'm just heating something up Mother of Mine prepared earlier that day, usually vegetables.

I don't imagine I'm going to be the most amazing chef in the world, but that's not the point. I need the basic skills to actually learn to cook, and there are some baking recipes in the book, too. Did you know I have a sweet tooth?

So, that's July sorted. August, I'm still stumped for. I mean, I'll be working on my research paper independent of this learn-one-thing-a-month idea, so I guess I just need to find something new. Maybe, just maybe, I'll start learning how to drive. Theory test, initially, of course, but I figure this is a good step. So, I can start learning to drive. Obviously, I won't be able to drive a car by the end of the month. Far from it. But I can at least get myself started on the path towards learning. And if anyone knows me well enough, they know I'll put my mind to this fully. I won't be the best driver in the world, but I'm so damn cautious I'll stay out of trouble.

September... trickier to tell. I have teaching practice and college starts back up and I have something massive to organise, so there's no telling what will happen with the month. Or the months to follow, for that matter. Obviously I'll keep learning to cook and keep learning to drive, but there's only so much I can do on that before I'm breaking the rule of learning something new every month. Part of me would love to learn to play an instrument, but I think I need to go for something more future-specific to get by in this. Possibly I'll start learning a new language.

I've always had problems with this in the past, and it comes down to not applying myself to it. But I figure, even if I only do this half the month as a beginner, I wake up early enough to go to college to listen to audio for about an hour before anyone even gets a chance to talk to me. I can use that time effectively, and I really want to give this a shot.

October... public speaking. Has to be. I mean, I'm already working on it, but it's something I need to get better at. Not just for teaching, but for everything else I plan to do in life. I want to be more natural when I speak in front of people. I tend to stick to notes and all that jazz, though I hate reading them out so I ad lib. I wouldn't be a teacher if all I did was read from a page.

November, I think I want to get better at organising. That sounds too vague, so I'll be more specific. I suck at lesson plans. I suck at schemes of work. I have no proper filing system. I need to get better at that sort of stuff, especially with all the plans I have for the next few years of my life. So hey, there's something. I'm choosing November for this because then the information will be fresh enough in my head even if I get busy to help me prepare for teaching in January more effectively. Yep, strategy. I'm actually implementing it.

And December...? I have no idea. Critically thinking about what I need to do in my life hasn't gotten me that far. That's probably because I haven't written out a strategy for the year. But hey, I reckon what I've got so far is enough to keep the brain going. Odds are I'll probably be learning other things in the middle of everything. I don't see the months as being so strict as to have to stop learning about something because I'm too busy with something else. Heck, if that was the case the school system of Ireland would collapse.

Game on, I suppose. Back to learning from way too many things at once to be sane.

What do you want to learn this year? Leave your answer in the comments below.