Top Ten Favourite Books

Today, I want to do something different - I want to look at my ten favourite books. It's a list subject to change, it's what I think of when I look at my shelf, and it doesn't do nearly enough justice to books that I read a long time ago. In fact, the list is of books I've read in the last 6 years, give or take, and comes with a caveat or two: I refused to include two books by the same author, and I don't have a particular order of preference to them. They are what they are.

The Tiny Wife by Andrew Kaufman

It's simple, but smart, and it digs down to the core of how we place meaning on things. It's also short, which - for a college student - is perfect. I was able to read it guilt-free, and did so in one weekend while working. I couldn't put it down.

The Fault in Our Stars by John Green

Challenging my ability to feel, it carries a certain weight over Green's other titles simply because it's the most recent one I've read. I think, if I'd read it before Paper Towns or Looking for Alaska, I would have preferred them. To put it clearly, I love his writing style, his wit, and the characters he creates. Deeply insightful, and the sort of book I wish I'd discovered when I was younger.

The Perks of Being a Wallflower by Stephen Chbosky

In a desperate need to find something like John Green's books, I found Chbosky. I found Charlie, who was weird and hurt and who found friends who were just that little bit older than him to make a difference, and a lot of how he felt about life and a lot of what he was experiencing - though not the Thing That Shall Not Be Spoiled - were identifiable in myself, when I read it. (And, yes, definitely one for fans of John Green.)

Gone by Michael Grant

When Gone was being advertised, it was with a comparison to Heroes. This boded well with me. For the weeks and months before its release - a release to which I was savvy thanks to working in a bookshop - I allowed myself to build up a degree of excitement. I was not let down. I fell in love with the book, and the series, and aside from a couple of the more gruesome scenes, it's one I recommend wholeheartedly to a lot of parents looking for books for their young-teen kids.

We Were Liars by E. Lockhart

One evening, on Twitter, John Green and Maureen Johnson were talking about a book - We Were Liars. I looked it up. I liked the sound of it. I bought it. I struggled, on a tired day, to read it. Then I forced myself to try again, when I was a little more refreshed, and I loved it. I couldn't put it down. It was full of mystery and charm and it said a lot about the world in a very beautiful way.

The Great Gatsby by F. Scott Fitzgerald

Did you ever notice everything always seems to come back to one person? In the book, that's Gatsby himself. But my reading of it? That was John Green. I had tried to read it for college, only a few months before John announced it for the Nerdfighter book club, but I couldn't. Then I tried again, and I looked more closely, without the pressure of exams, and I fell into its charm. Plus, John Green agreed with a point I made about it in the comments on YouTube, and that made everything really awesome for a while.

Screenplay by Syd Field

Syd Field changed how I look at stories, and how I looked at Hollywood. While I've always had a burgeoning interest in screenwriting, one which I never truly followed up on, I didn't know much about it. Even that aside, I was granted an insight into cinema in a way I never would have imagined. It's a remarkable book, and very easy to understand.

The Curve by Nicholas Lovell

The future is digital, and people need to understand that more. I didn't, not for a long time, not in the way Lovell talks about, and it was this book that helped me realise what it was that I wanted to study at a Post-Graduate level. I owe him a lot, with that in mind - though the repeated mentions of his book on my blog will have to do for now!

The Millionaire Messenger by Brendon Burchard

This book shaped my online activity for a time. Simple, direct, and filled with powerful lessons to be learned, it was one I loved when I really made myself read it. I forced myself to do every exercise, to give myself the time - no matter what else I wanted to do - to complete them fully, and I came out feeling like I had a better sense of what I wanted to do with my life and with my writing. I'm not a millionaire, but I know I've learned some valuable lessons on how to address my life in the future.

The 4-Hour Work Week by Timothy Ferriss

I never thought I could do so much with my life, realistically, until I read this book. I didn't think travelling and working at the same time was really a possibility. I didn't think other people did it. I'm at a point in my life where I'm just getting ready to take on life fully, and while it's still early days, I'm allowing myself the dream. I'm allowing myself to think about it, as a reality, and while it's not entirely Irish-based, it's an excellent push in the right direction that I don't just need to dream.

When I'm Not Writing

When I'm not writing, my time gets divided up with a few different activities, some regular, others less so. Work aside, because that's a whole other kettle of fish, I tend to do as much as I can to fill up my time. Sometimes it's productive. Other times, not so much.

The biggest regular activity is my weekly visit to the cinema. I've gone almost every week for the past seven years, or so, sometimes twice a week, and almost always with the same 2-3 people that I went to secondary school with. Take that as a load off your worries if your academic situation is in any way like mine was when I started college - none of your friends are in the same college as you, and none of them are studying the same subject. We managed to use the cinema to ensure we met up regularly, and as a result we've also seen a huge chunk of the movies that came out over that period of time.

Aside from that, and my various online activities, I try to work in a balance of reading, baking, and watching television. Don't get me wrong on the last one, though - I despise just casually watching reruns of something. I end up doing it, occasionally, for nostalgia more than anything else. Usually, I'm watching a particular series, and it's more likely than not that it's been recorded in advance.

The latest edition to any of my non-writing hobbies is photography. But let's just be clear: as of writing this, I am not a photographer.

I own a nice camera. It takes really good pictures. I enjoy taking them. But I can't exactly call myself a photographer. When I start taking pictures more often, when I start getting around with the camera a bit more, I'll describe myself as an amateur photographer. When I actually start making money from it, then I'll upgrade the description to photographer.

But not a moment sooner.

The most I've done is an excursion to the Botanic Gardens, to take as many pictures as I could in the blistering heat. And, because I'm so new to this, I want to keep doing things like that. I want to try get to the point when I'm taking pictures a lot, so I can call myself a photographer, of some description. But for now, photography is just a hobby, and one I'm not even sure I'm any good at yet.

Something I'd love to do would be to combine my various hobbies - taking pictures to accompany writing pieces, food photography when I get my ass in gear and go beyond a couple of different recipes, writing about film and television and stories generally. That sort of thing.

Is it bad that I want to make a living from hobbies? Maybe. I mean, from a bank's point of view, yeah. But in terms of personal fulfilment, I don't think I could find anything better.

First Stop in a Bookshop

When I visit a bookshop, I tend to go to the same sections first, every time. It varies from shop to shop, of course. In my own shop, I'm usually there to work, so I'd leave my belongings out back first. That in mind, we'll leave my own shop off the list.

Let's take Chapters, though. It's a big bookshop in Dublin, with a huge range, and I always find myself tucked away in the corner of the Business section first (unless it's been a while, in which case I have a look at the tables at the front for some good deals I'll only end up ignoring anyway.) I don't know why, but I always browse the Business section, even when I know I won't be buying anything.

From there, I move on to have a look at the books on writing, then to the Children's section, for the YA books. Following that, I end up looking at Classics and Science Fiction. Every time, even when I'm just trying to pass the time.

A similar path is taken in Eason on O'Connell Street. Business, Writing, then over to the Personal Development section, and back upstairs to the Teen section. But that's about it. Unless I'm getting stationary, I tend not to buy anything in the shop at all - not unless I've never seen it anywhere else before!

With Hodges Figgis, the journey is a little bit different - right to the top, and work my way down from the Writing section. I go through all the usual places, while I'm doing that, but I always seem to want to start at the uppermost level. It's a habit, and I don't intend on breaking it. It is, after all, where I found Screenplay by Syd Field.

The big three out of the way, there's really only one other bookshop I like to visit whenever I'm near it - The Gutter Bookshop, on Cow's Lane. It's small, but it's one of the nicest shops in the city. Plus, the owner, Bob, shares some of my interest in books - he's the only other person I know who reads Andrew Kaufman's books, and it was thanks to his interest in Kaufman's books that I was able to get my hands on Born Weird last summer. So thanks, Bob!

When I visit The Gutter Bookshop, I literally do a lap of the entire shop. Their range isn't huge, but they stock lots of titles you wouldn't find anywhere else - because no one else seems to realise they'll sell! Thanks to the size of the shop, people who go in looking for something to read usually end up with something that most Irish bookshops don't sell. Bob makes use of an American supplier that many find too inconvenient. The end result is that he gets to stock niche books for his very popular Indie bookshop.

What about you? What's your first stop in a bookshop?

Favourite Genres

A couple of years ago, I decided to be a little more open minded with my reading and stop avoiding certain genres. The biggest step I've taken is towards reading more fiction that wasn't a Fantasy or Young Adult novel.

For me, that was pretty important.

See, Young Adult is my favourite genre to read in. Up until John Green, this meant Young Adult Fantasy, but I've since opened up my reading list. In the end, it's led to me placing Michael Grant, David Levithan and Cassandra Clare all on the same bookshelf.

Why is that important?

Well, Grant is - more typically, anyway - for male readers. At least, by sheer observation. (The real reason it's noticeable - the female readers where I work read lots of other books, as well!) The Gone books are Science Fiction-Horrors, gruesome and violent and scary at times.

Clare is generally considered to be writing for a female audience. There's obvious romance. The male characters are described in terms of beauty, not by their masculinity. The lead protagonists are always female. And yet, I've read the entire Mortal Instruments series. And I loved it. It was heartbreaking, and exciting, and it's easy to look beyond the elements of it that are designed to make a teenage girl swoon with delight.

Levithan, then, is a mixed bag. He's funny, his characters can be male or female, straight or gay, but he doesn't include something that Grant and Clare do: magic. (Okay, yes, the powers in Gone aren't necessarily magic, but think of it as an inclusive term, for now.) Levithan, with the exception of A in Everyday, writes about normal people, living normal lives, who fall in love or go through tragedy, and most likely both. Love is the Higher Law deals with the consequences of 9/11, from the fear of the parents, the responsibilities of the teenagers, and the consequences of being a homosexual person in post-tragedy America.

None of them are alike, and of the three, only Grant would have appealed to me a few years ago. In fact, before my adoration of John Green as a person, I would never have considered fiction without a Fantasy element to it. Except, I had already. I just wasn't willing to accept that there were other authors out there like Roddy Doyle or Harper Lee or Mark Haddon, authors whose books I'd read in school, and loved.

The consequence of this, for me as a writer, is that most of what I've written has had a Fantasy element to it, or has attempted to emulate the feelings I had when reading "standard" fiction. (Contemporary Fiction?) I wrote about superheroes, or girls with magical powers, or gods and fairies.

Then, this month began, and I began writing something more like Levithan and Green. And you know what, it's more fun than I would have thought two, three years ago.

The point of all of this, of course, is that readers should always be willing to try something new. Read something new. If you need a suggestion, and your friends and family are proving useless on that front, ask your local bookshop. In my workplace, we all have different interests in reading, and even with a small staff we're still able to address most customers' needs.

So give it a shot, and then see how it affects your writing. It might surprise you.

Influential Reading

Like many readers, there are stand-out books that have influenced my life significantly. Ignoring the obvious answers of In Deep Dark Wood and Harry Potter and the Philosopher's Stone (my first favourite book, and the first book in a series that would get me hooked on books), the fiction options dwindle significantly.

Darren Shan's Cirque du Freak threw me into his books quickly, which lead to his overall influence on my life. That was important for me, at age 12, to find a new series that I could read, a new author whose books I adored.

But the non-fiction is where the biggest changes have occurred in the past few years.

When I got my hands on Tim Ferriss's The Four-Hour Work Week, it opened up my mind to the idea that I didn't necessarily have to live a standard life. I didn't have to restrict myself to the idea of working a 9-5 job, if it ever came down to that.

However, it wasn't a full set of answers.

It was Americanised. It presumed prior knowledge or prior work experience. It presumed that I wanted to live my life in a particular way, and it avoided one very important issue: how did I want to earn a living?

While Ferriss's idea of a four-hour work week was appealing (except, you know, if you get paid by the hour), it wasn't for me. I didn't want to set up or own a business I didn't believe in. I would rather work 40 hours at something I loved and could talk about passionately than to do four hours of maintenance per week on a business that was just a source of income.

I couldn't sell the idea to myself.

When I read Nicholas Lovell's The Curve, things changed. I had a model to follow a little more closely. I could see how I could run a business I loved, on a time-scale similar to that Ferriss presented. I could see the value of free, I could see how what I wanted to do in life could be both fun and profitable.

I was almost there.

I had a near-ideal model. I had an explanation of how that model might work for me. All I needed was something to make that model make sense to me passionately.

Enter Syd Field's Screenplay.

I know what you might be thinking. That's not a business book. Hollywood is incredibly competitive. Blah-blah-blah. It's a dream. It's an aspiration. It's something to strive for. But that wasn't all I got out of the book.

I could see myself using his teachings. I could see my craft explode in front of me - not into nothingness, but into something more. It was like a new beginning, and it gave sense to the model. I worked it out.

You see, I want to work in publishing. But publishing is a big business, and a loaded term. It could be my own business, or it could be for one of the biggies, but it's the dream. It's also not a great way to make money.

The only way I see this working is to combined writing and publishing, and the writing can't just be fiction. It needs to be non-fiction that seeks to help others. It needs to be screenplays that, if they're lucky enough to make it to cinemas as a finished film, will give people a sense of joy. I need to be able to teach people about the world in some way, shape or form. Movies change lives. They can show people something with just enough reality that the message gets through.

That's the passion - the message. That's what Ferriss couldn't show me how to deliver. That's what Lovell was guiding me towards. And Field, he finished the job, by going back to the basics, back to where my dreams started - with writing, and with the business of it.

The thing is, I didn't go looking for change. I went looking for an interesting read. The books that influence us most aren't the ones we expect to change our lives. The books that influence us just happen, mostly by accident, and that's where the pleasure lies in them. While there are other books that have helped shape my life in different ways, like Brendon Burchard's The Millionaire Messenger, there's less than a handful that actually piece together to form a cohesive model that I can follow - one that requires my own input in the making. Those are the books I'll cling to, the ones I'll return to for advice and wisdom, again and again.

Childhood Reading and Beyond

I've touched upon this recently, but I think it's worth looking at again: when I was younger, I didn't read much.

My problem was stories. I couldn't find one that I liked. My primary school's library was horribly out-dated. In all the time I was in that school, I found only a few books that I actually enjoyed. The one to start it all?

In Deep Dark Wood by Marita Conlon-McKenna. It had magic. It had dragons. It was perfect for me. If I hadn't read that, if I hadn't realised that that was the sort of book I wanted to read, then I might not have turned into a reader.

Yep, you read that correctly. And you know what? No reading, no writing.

It was thanks to that book that I could find enjoyment in literature as I grew older. I found Harry Potter, which got me hooked straight away. I also read Philip Pullman's His Dark Materials, though I felt certain I was too young for it at the time (10-11). Still, I managed it, and I loved it, and it didn't make me lose my faith in God, which is all the better. (That's a whole other issue. Faith is complicated. Let's move on.)

From Harry Potter, I found A Series of Unfortunate Events. In secondary school, I found Darren Shan. I was also introduced to Garth Nix, with the Abhorsen trilogy. By the end of 3rd year, I'd also found an interest in Douglas Adams, and had begun reading Dan Brown.

That was when I began to change as a reader. I wasn't put off by "adult" books anymore. Over the next few years, mainly as I was getting settled into college, I began experimenting with other authors.

From my childhood, I knew I liked the paranormal, fantasy, science fiction, superheroes. These were things I could look for in the future. They were things I relied upon, these guideposts for reading. Yet, slap bang in the middle of all that were Lemony Snicket and Dan Brown, and that gave me the push towards trying other books.

John Green, Maureen Johnson, Andrew Kaufman, Philip Roth, all of these on top of the other authors I found myself following, like Barry Hutchison and Andy Briggs and Steven Erickson.

And, eventually, I found non-fiction.

I now balance my reading between fiction - still lots of YA, but delving more into books intended for older readers when one looks interesting to me (as before, it all comes down to story - I won't read an "adult book" just because it's intended for older readers) - and non-fiction. I read a lot of books on writing, and business, and lifestyle management. I've touched upon books on mental health, and science, and to be honest, I'm happier with my reading habits now than I've ever been.

And it all started with a boy, a girl, and a neighbour with pet dragons. Who would have thought?

I Found a Hero

When I was growing up, if someone asked me who my favourite author was, the response was always the same: Darren Shan. It wasn't because I liked his books better than everyone else's. It wasn't because I especially loved horror. No, I liked him because of the author he was, not the books he wrote.

To make sense of this, we need to go back a few years. As in, primary school. I read two different authors' books - JK Rowling and Lemony Snicket. Rowling was my favourite of the two, and continued to write some of my favourite books right up to the time when I got my first job. (Specifically, the midnight release of The Deathly Hallows was when I was offered my job.) Snicket, on the other hand, I only picked up - and this will sound ridiculous - because Klaus Baudelaire looked like Harry Potter.

Yep, I was that shallow.

I was completely enamoured with Snicket and Rowling, whose books were published regularly throughout the first four years of my secondary school life. But it wasn't enough. I needed a new author.

That was when I found Darren Shan, upon the suggestion of perhaps the first friend I made in second school, after a friend from primary school recommended them to me a couple of years beforehand. What was most important, then, was that the library in school actually stocked the books. I had a ton of books to catch up on, and by the time I finished them, he was getting ready to release another series.

I was also open to reading different books, the more I actually read different authors, which was a major plus. Garth Nix quickly found his way onto my book shelves, and by the time I started working I was ready to try new books by new authors.

In the meantime, I got to meet Darren Shan for the first time - on the day I arranged work experience in the shop that I would later work at on weekends. He was funny, he strangled everyone, and he made everyone in the queue for signing feel welcome.

The next few years are a blur of me showing up at every signing I could, reading The Thin Executioner even when I was supposed to be studying for exams. He imparted some wisdom upon me when my shop closed down, and helped me through that period of my life, until, a couple of years later, I moved from fan-in-a-queue to guest-at-launch.

Yes, in the summer of 2012 I got to sit down at the big fancy dinner held my Simon & Schuster to celebrate the launch of Zom-B and his moving over to them from Harper Collins. All around me were authors and journalists, booksellers and book buyers, publicists and Shan. It was wonderful, and he made sure I was comfortable before the night began, introducing me to different people from different places so that, when we sat down for dinner, even if he wasn't there, I'd know somebody.

When I was a boy, I thought authors were hermits, sitting alone in a room writing their books. I thought authors didn't know how to talk to people, because everything about the idea of writing a book seemed isolated. I think, for me anyway, I needed to meet someone like Darren Shan, whose real life personality was as big as his narrative voice. I needed to see that an author could be outgoing and write books that people loved. I needed a hero, and I found one.